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The Journal of Neuroscience, October 21, 2009, 29(42):13165-13171; doi:10.1523/JNEUROSCI.3900-09.2009

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Behavioral/Systems/Cognitive
Neural Correlates of Consonance, Dissonance, and the Hierarchy of Musical Pitch in the Human Brainstem

Gavin M. Bidelman and Ananthanarayan Krishnan

Department of Speech Language, Hearing Sciences, Purdue University, West Lafayette, Indiana 47907-2038

Reprint requests should be addressed to Ananthanarayan Krishnan, Department of Speech Language, Hearing Sciences, Purdue University, West Lafayette, IN 47907-2038. Email: rkrish{at}purdue.edu

Other correspondence should be addressed to Gavin M. Bidelman, Department of Speech Language, Hearing Sciences, Purdue University, 1353 Heavilon Hall, 500 Oval Drive, West Lafayette, IN 47907-2038. Email: gbidelma{at}purdue.edu

Consonant and dissonant pitch relationships in music provide the foundation of melody and harmony, the building blocks of Western tonal music. We hypothesized that phase-locked neural activity within the brainstem may preserve information relevant to these important perceptual attributes of music. To this end, we measured brainstem frequency-following responses (FFRs) from nonmusicians in response to the dichotic presentation of nine musical intervals that varied in their degree of consonance and dissonance. Neural pitch salience was computed for each response using temporally based autocorrelation and harmonic pitch sieve analyses. Brainstem responses to consonant intervals were more robust and yielded stronger pitch salience than those to dissonant intervals. In addition, the ordering of neural pitch salience across musical intervals followed the hierarchical arrangement of pitch stipulated by Western music theory. Finally, pitch salience derived from neural data showed high correspondence with behavioral consonance judgments (r = 0.81). These results suggest that brainstem neural mechanisms mediating pitch processing show preferential encoding of consonant musical relationships and, furthermore, preserve the hierarchical pitch relationships found in music, even for individuals without formal musical training. We infer that the basic pitch relationships governing music may be rooted in low-level sensory processing and that an encoding scheme that favors consonant pitch relationships may be one reason why such intervals are preferred behaviorally.

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Received Aug. 10, 2009; revised Sept. 14, 2009; accepted Sept. 16, 2009.

Reprint requests should be addressed to Ananthanarayan Krishnan, Department of Speech Language, Hearing Sciences, Purdue University, West Lafayette, IN 47907-2038. Email: rkrish{at}purdue.edu

Other correspondence should be addressed to Gavin M. Bidelman, Department of Speech Language, Hearing Sciences, Purdue University, 1353 Heavilon Hall, 500 Oval Drive, West Lafayette, IN 47907-2038. Email: gbidelma{at}purdue.edu

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