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Volume 16, Number 18,
Issue of September 15, 1996
pp. 5854-5863
Copyright ©1996 Society for Neuroscience
Intracellular Characterization of Song-Specific Neurons in the
Zebra Finch Auditory Forebrain
Michael S. Lewicki
Computation and Neural Systems Program, California Institute of
Technology, Pasadena, California 91125
ABSTRACT
INTRODUCTION
MATERIALS AND METHODS
RESULTS
DISCUSSION
FOOTNOTES
REFERENCES
ABSTRACT
Auditory neurons in the forebrain nucleus HVc (hyperstriatum
ventrale pars caudale) are highly sensitive to the temporal structure
of the bird's own song. These ``song-specific'' neurons respond
strongly to forward song, weakly to the song with the order of the
syllables reversed, and little or not at all to reversed song. To
investigate the cellular mechanisms underlying these responses,
in vivo intracellular recordings were made from adult
HVc neurons. Song-specific cells could be divided into those that
responded strongly throughout autogenous song (tonic cells) and those
that responded with bursts of action potentials at specific points
during the song (phasic cells). Phasic cells were hyperpolarized during
autogenous song, even though this stimulus also elicited the strongest
response. Less hyperpolarization was seen to the same song with the
syllables in reverse order, and none was seen to reversed song. The
responses of both types of song-specific cells contained high-frequency
bursts of action potentials. The bursts of the phasic cells showed
attenuation of the action potential height and lack of full
repolarization after each spike. This type of bursting was
significantly correlated with the amount of hyperpolarization before
each burst in phasic cells and nonauditory cells that generated such
bursts spontaneously. These data suggest that song-specific neurons use
long-lasting hyperpolarization as a mechanism to integrate auditory
context, an important component of temporal order selectivity.
Hyperpolarization also may increase the precision of spike timing,
which could be important for the neural code subserving song learning
and production.
Key words:
auditory response properties;
burst firing;
hyperpolarization;
neural integration;
context sensitivity;
order
sensitivity;
song system;
HVc;
intracellular recording
INTRODUCTION
Neurons in the songbird forebrain nucleus HVc
(hyperstriatum ventrale pars caudale, also called high vocal center)
are highly sensitive to the acoustic structure in the bird's own
(autogenous) song. These ``song-specific'' neurons respond most
strongly to autogenous song, less to songs from the same species, and
little or not at all to songs of other species (Margoliash, 1983 , 1986 ;
Margoliash and Konishi, 1985 ).
HVc is at an intersection of auditory and motor pathways in the
songbird forebrain. It is a high-level auditory area, and there are at
least two stages of post-thalamic processing before auditory
information arrives at HVc (Kelley and Nottebohm, 1979 ; Fortune and
Margoliash, 1995 ; Vates, 1996). HVc also is part of the motor pathway
controlling song production (Nottebohm et al., 1976 ; McCasland, 1987 ;
Vu et al., 1994 ). Song-specific neurons in HVc and other auditory areas
in the song system emerge during song learning (Doupe and Konishi,
1992 ; Volman, 1993 ); thus, they are likely to play some role in that
process. Because song learning is critically dependent on auditory
feedback (Konishi, 1965 ), it is important to understand the auditory
response properties of these cells.
Part of the sensitivity of song-specific neurons derives from their
sensitivity to the song's temporal structure. Their response is
greatly reduced if the song is reversed or if the order of the song
syllables is reversed (Margoliash, 1983 ; Margoliash and Fortune, 1992 ;
Lewicki and Arthur, 1995 ). Studies presenting syllables in isolation
have shown that these neurons can integrate auditory information over
hundreds of milliseconds (Margoliash, 1983 ; Margoliash and Fortune,
1992 ; Lewicki and Arthur, 1995 ).
Although song-specific neurons have been well studied with
extracellular methods, little is known about the cellular mechanisms
that underlie their response properties. One possibility is that
song-specific cells preserve auditory information through the
activation of cellular or synaptic currents. Experiments in HVc brain
slices have suggested several possibilities. Kubota and Saito (1991)
found Na-dependent outward conductances in HVc cells that persisted for
several seconds. Vu and Lewicki (1994) found active glutamate receptors
of both the NMDA and AMPA/kainate subtype as well as active GABAergic
receptors. Schmidt and Perkel (1995) reported evidence of synaptically
activated GABAA and GABAB receptors. It is not
known, however, what role these mechanisms play during an auditory
response.
To date, there have been very few intracellular studies of HVc cells
in vivo (Katz and Gurney, 1981 ; Fortune and Margoliash,
1994 ; Lewicki and Konishi, 1995 ). Song-specific neurons are difficult
to study, because only 1/3 of the neurons in HVc are auditory (the rest
are presumably motor) and, of these, only half are found to be
song-specific (Margoliash, 1983 ; Margoliash and Fortune, 1992 ; Yu and
Margoliash, 1995 ). These problems are compounded with intracellular
methods with which it is very difficult to obtain stable recordings. We
report here, however, that stable intracellular recordings can be made
from song-specific neurons. These data reveal several new properties
that may be important for the neural code of these cells and suggest
mechanisms by which they could integrate long periods of auditory
context.
Other results from this study were reported in Lewicki and Konishi
(1995) .
MATERIALS AND METHODS
Experiments were performed on adult (>120 d) male zebra finches
(Taeniopygia guttata) raised in our own colony. Before each
experiment, the bird's own song was recorded, digitized, and analyzed
on a computer using custom software (written by M. Lewicki, L. Proctor,
and J. Mazer). A few days before the experiment, birds were
anesthetized with Equithesin (0.03-0.04 ml, i.m.) (0.85 gm chloral
hydrate, 0.21 gm pentobarbital, 0.42 gm MgSO4, 2.2 ml 100%
ethanol, 8.6 ml propylene glycol, filled to a total volume of 20 ml
with water), and a small metal post that immobilized the head during
physiological recordings was cemented to the skull with dental cement.
For physiological recordings, the birds were anesthetized with urethane
(65-90 µl of a 20% solution).
Nucleus HVc was first located physiologically with extracellular glass
electrodes. Electrodes were lowered through a small hole (0.3 mm
diameter) in the skull to minimize brain edema and pulsation.
Intracellular recordings were obtained with sharp electrodes (60-100
M , filled with 4 potassium acetate, pH 7.4) or
whole-cell patch electrodes (6-12 M , filled with solution
containing (in m): 140 K-gluconate, 10 HEPES, 4 MgCl2, 0.1 CaCl2, 1.1 EGTA, 3 Na2-ATP, 2 Na-GTP, pH 7.4, and adjusted to 300-330 mOsm).
Both intracellular and patch electrodes were pulled on a Flaming-Brown
model P-87 micropipette puller (Sutter Instruments, Navato, CA). In
some experiments, 1.75% biocytin was added to stain the cells.
Intracellular potentials were amplified with an Axoclamp 2A amplifier
(Axon Instruments, Foster City, CA), filtered at 10 kHz, and digitized
at a sampling rate of 32 kHz for computer analysis. Cells that did not
have a stable resting potential for > 2 min or had an action
potential height < 40 mV were not analyzed.
Some of the stimuli used in these experiments involved manipulations of
the order of syllables taken from the bird's own song. Syllable
boundaries were defined as points where the song's amplitude falls to
zero. The stimuli (autogenous song and its manipulations) were
presented in free-field conditions with a calibrated speaker (JBL,
Northridge, CA) in a custom-made sound attenuation chamber (Industrial
Acoustics, Bronx, NY). The peak amplitude of the stimuli was between 60 and 70 dB sound pressure level.
A song-specific cell was defined as a neuron that responded
significantly more to forward song than to either reversed song or the
song syllables presented in reverse order. Significance was determined
with a two-tailed, paired t test comparing the spikes rates
on a trial-per-trial basis, after subtracting the spontaneous rate for
each stimulus. The spontaneous spike rate was measured during the 1-2
sec prestimulus interval. The stimulus spike rate was defined as the
number of spikes produced during the stimulus divided by the duration
of the stimulus. A response latency of 20 msec was included in the
analysis but in practice, this had no effect on the results. This
procedure can underestimate the response if the instantaneous spike
rate varies during the song. In practice, this only a problem for cells
that produced bursts of action potentials at specific points during the
song. Therefore, a cell also was classified as song specific if it
showed a significantly different number of action potential bursts
during forward song compared with reverse song. A burst was defined as
a sequence of at least two action potentials in a period of 30 msec
with a maximum interspike interval < 6 msec.
The anatomical location of the recordings were determined by making
reference marks made by electrolytic lesions using extracellular
tungsten electrodes (AM systems, Everett, WA) and by filling the single
neurons with biocytin. At the end of the experiment, the bird was
perfused with saline followed by 4% paraformaldehyde for histological
analysis. Electrolytic lesions were located on 30 µm frozen sections
stained with cresyl violet. Brains containing biocytin-filled neurons
were cut into 60 µm frozen sections. These were incubated for 2 hr in
0.1 PBS containing avidin-biotin complex (ABC Elite,
Vector Labs, Burlingame, CA) (1:100) and 0.3% Triton X-100. Sections
then were treated with 0.05% DAB, 0.005%
H2O2, 0.005% CoCl2, and 0.005%
NiNH3 for 5 min. Sections were washed thoroughly (3 × 10 min) in 0.1 PBS before each step and again at the end.
All sections were dehydrated, cleared in xylene, and coverslipped with
Permount.
RESULTS
Stable intracellular recordings were obtained from 97 cells in 32 birds. The mean duration of intracellular recording time was 16 min.
The mean initial resting potential was 61 ± 9 mV, and the mean
action potential height was 58 ± 13 mV. Of the 97 cells, 29 showed some auditory response, and 6 of these, in three different
birds, were classified as song-specific cells (see Materials and
Methods). Because of short intracellular recording times compared with
extracellular recording, it is likely that the proportion of the
auditory cells that were song specific is less than that reported in
previous studies. Also, the response of the cell often deteriorates
over time, probably as a result of damage from the electrode. The
responses of the six song-specific cells reported here, however, were
stable throughout the entire recording time. Song-specific cells showed
no apparent differences from other cells in terms of their resting
potential, action potential shape, or holding times. All the
song-specific neurons were recorded with sharp intracellular
electrodes.
Extracellular studies have shown that song-specific neurons can have
both tonic and phasic song responses, which often contain bursts of
action potentials (Margoliash and Fortune, 1992 ; Sutter and Margoliash,
1994 ). These properties also were found to be present in the
intracellular records of song-specific cells. Three of the six
song-specific cells were tonically excited throughout the song. The
other three song-specific cells responded with rapid bursts of action
potentials at specific points during the song.
Tonic excitation
Figure 1 shows an intracellular recording of a
song-specific HVc cell that is tonically excited throughout much of the
autogenous song. The response also contains many action potential
bursts, which is characteristic of HVc neurons. The median membrane
potential (which is less influenced by action potentials than by the
waveform average) shows that there is some hyperpolarization (indicated
by the arrows) after the forward song (Fig. 1a)
and after the middle of the syllable-reversed song (Fig.
1b). No such hyperpolarization is present in the response to
the reversed song (Fig. 1c). The response to both the
reversed and syllable-reversed song is significantly less than the
response to the forward song (p < 0.01, paired
t test).
Fig. 1.
An intracellular recording of a tonically excited
song-specific HVc cell. a-c show the
peristimulus time histogram (top). The traces
below show the intracellular membrane potential for six
collections (top traces). The collections for each
stimulus were interleaved. The traces inside the
box are plotted in Figure 5. Below each set of waveform
rasters is the median of the individual traces (bottom
trace); the average resting membrane potential is shown by the
horizontal line. The oscillogram of the stimulus is
plotted below (bottom). The response to the forward song
(a) is greater than to the song with the syllables in
reverse order (b) and to the reverse song
(c), indicating that this is a song-specific cell. The
median membrane potential shows that the cell is hyperpolarized after
the forward song and during the second half of the song with the
syllables in reverse order (a,b,
arrows). The cell shows no hyperpolarization to the
reversed song (c).
[View Larger Version of this Image (32K GIF file)]
Another tonically excited cell also was depolarized throughout most of
the forward song (data not shown). That cell showed no
hyperpolarization during the syllable-reversed song, but was simply
less depolarized. It also had little depolarization to the reversed
song.
Phasic excitation
An example of a song-specific cell that was phasically excited is
shown in Figure 2. This cell was recorded from the same
bird as the neuron in Figure 1. In this paper, a phasic response refers
to excitation at specific points during the stimulus. This is in
contrast to the tonically excited cells discussed in the previous
section, which are excited throughout the stimulus, but show little or
no regularity in the temporal positions of the action potentials. The
phasic response to the forward song is not present in the response to
either syllable-reversed song or the reversed song. Note also that only
the response to forward song contains consistent hyperpolarizations,
which can be seen in the overlaid waveform rasters (Fig.
2a, bottom traces). Although this cell
responded with approximately equal numbers of action potentials for all
three stimuli, there were significantly more action potential bursts in
response to forward song than to either the syllables in reverse order
(p < 0.05, paired t test) or to the
reversed song (p < 0.001). The bursts to
forward song are outlined by the boxed region in Figure
2.
Fig. 2.
An intracellular recording of a phasically excited
song-specific HVc cell. The conventions are the same as in Figure 1,
except that in bottom traces
(a-c), the waveform rasters are overlaid
to show the consistency of both the hyperpolarizations and of the
temporal positions of the phasic bursts. The boxed
region indicates where this cell responded phasically with
bursts of action potentials to the forward song. The phasic response is
lost when the syllable order is reversed or when the entire song is
reversed.
[View Larger Version of this Image (37K GIF file)]
Figure 3 shows the response of another phasically
excited HVc cell. This was classified as a song-specific neuron,
because it responded to the forward and syllable-reversed song, but
showed no response to the reversed song. The traces in Figure 3 are in
response to the syllable-reversed song. The spike bursts are aligned to
within 5 msec, and the response even shows remarkable consistency in
the variation of the subthreshold membrane potential.
Fig. 3.
Precise timing in a phasically excited HVc cell.
The horizontal line indicates the average resting
potential, which was 59 mV. Some phasic cells show high regularity
in the firing times of the bursts and in the subthreshold membrane
potential. The action potentials in these bursts also show attenuation
over the time course of the burst.
[View Larger Version of this Image (15K GIF file)]
Hyperpolarization during phasic excitation
The induction of long-lasting hyperpolarizing currents after
high-frequency firing has been reported from in vitro
studies of HVc (Kubota and Saito, 1991 ). Similar currents were observed
in vivo in response to presentation of the bird's own song.
Figure 4 shows that the amount of hyperpolarization is
greatest during forward song when the cell's response is strongest
(Fig. 4a). The membrane potential is less hyperpolarized
when the order of the syllables is reversed (Fig. 4b) and is
not hyperpolarized at all in response to the reversed song (Fig.
4c). This hyperpolarization also is long lasting; the
recovery to the average resting potential after the end of the forward
song takes several hundred milliseconds. Long-lasting
afterhyperpolarizations also could be evoked in nonauditory neurons
(data not shown) with strong (0.75 nA) current injections.
Fig. 4.
Hyperpolarization during a phasically excited
song-specific cell. a-c plot the average
of the traces shown in Figure 2. Hyperpolarization is greatest during
the forward song, less when the syllables are presented in reverse
order, and not present when the song is reversed.
[View Larger Version of this Image (18K GIF file)]
Bursting during tonic and phasic excitation
Some HVc cells were capable of firing three or more action
potentials in a single, high-frequency burst. Bursting was present in
both tonically and phasically excited song-specific cells. The detailed
structure of the responses from the boxed regions of Figures 1 and 2 is
shown in Figure 5. Both responses show bursts of action
potentials, but those in Figure 5b are consistently
attenuated over the course of the burst, whereas no attenuation is
evident in the bursts in Figure 5a. This attenuation can be
quite dramatic as in Figure 3, where the last spike in each burst is
about half the height of the first. The spike bursts in the phasic
responses also were more precisely timed than those in the tonic
responses. The bursts in Figure 5a show no temporal
alignment, but those in Figure 5b temporally aligned to
within 8 msec. These bursts also show consistent previous
hyperpolarization. The average membrane potential in the 50 msec period
before the first spike in each burst is 6.8 ± 2.1 mV below
average resting potential ( 68 mV). All of the phasically excited
cells showed a similar pattern of bursting: lack of full repolarization
and attenuation of the action potentials in addition to
hyperpolarization before each spike burst.
Fig. 5.
Comparison of burst firing in phasic and tonic
song-specific cells. Traces are from the boxed regions of the tonically
excited song-specific cell in Figure 1 (a) and the
phasically excited song-specific cell in Figure 2 (b).
Both responses contain bursts of action potentials, but the bursts from
the phasic cell are temporally aligned and there is consistent
hyperpolarization before each burst. Also, these bursts show a
consistent attenuation of action potential height, which is not seen in
the bursts of the tonically excited cell.
[View Larger Version of this Image (17K GIF file)]
Bursting also can occur at multiple times during the song. One such
cell is shown in Figure 6. Bursting occurs most
frequently to forward song where the bursts are phase locked to a
particular syllable that occurs three times during the song (Fig.
6a, arrows). For this cell, the bursting is less
regular than in the previous examples, but like the response shown in
Figure 2, bursting is less frequent when the order of the syllables is
reversed (Fig. 6b), and no bursts are present during
presentation of the reversed song (Fig. 6c). This cell also
bursts most frequently when it is hyperpolarized, which is shown in
Figure 7.
Fig. 6.
Burst firing during song stimuli.
a-c show the intracellular waveform
raster of a song-specific HVc cell. The collections were interleaved.
a, The intracellular record shows that this cell bursts
(one such burst is outlined by the box) regularly after
the same syllable in the forward song (arrows).
b, Less bursting is seen when the syllables are
presented in reverse order; c, no bursting is seen when
the song is reversed.
[View Larger Version of this Image (22K GIF file)]
Fig. 7.
Frequency of bursting is correlated with the
amount of hyperpolarization. Each trace
(a-c) is the median of the traces shown
in Figure 6 (note the different time scales). The horizontal
lines show the resting potential of the cell. As in Figure 4,
hyperpolarization is greatest during the forward song, less when the
syllables are presented in reverse order, and not present when the song
is reversed.
[View Larger Version of this Image (15K GIF file)]
The correlation between bursting and hyperpolarization can be analyzed
additionally by comparing the prepotential, or the average membrane
potential before a spike, with the number of subsequent spikes. To
examine this relationship, the action potentials in response to
auditory stimuli (during stimulus and background periods) were sorted
according to the prepotential, defined here as the average potential in
the 50 msec epoch before each spike relative to the average resting
membrane potential. Spikes occurring within 30 msec of an already
considered spike were excluded. The prepotential and number of
following spikes were measured for three groups of neurons:
song-specific cells that had a phasic response to the forward song
(n = 3), song-specific cells that had a tonic response
throughout the forward song (n = 3), and nonauditory
cells that showed spontaneous bursting (n = 5). One-way
ANOVA was performed for each group to determine whether there was a
statistically significant change in prepotential for different numbers
of subsequent spikes.
Figure 8 summarizes the distributions of prepotentials
before each spike or spike burst for the three different groups.
Song-specific neurons that responded phasically to song were
significantly hyperpolarized before each action potential
(p < 0.001, F test) (Fig. 8,
left), but tonically excited song-specific cells showed no
significant change in prepotential versus the number of following
spikes (p > 0.5, F test) (Fig. 8,
middle). The spike bursts produced by the nonauditory cells
appear similar to those of the phasically excited song-specific cells
and, like those cells, also showed a significant hyperpolarization
before bursting compared with the prepotential for a single spike
(p < 0.001, F test) (Fig. 8,
right).
Fig. 8.
Correlation between bursting and level of
prepotential. Each graph shows a plot of the
distribution of prepotentials for single spikes and spike bursts
containing the listed number of action potentials. Each
box shows the middle half of each set of prepotentials.
The horizontal line inside each box shows the median.
The outer lines indicate 99% of the data range. Phasic
song-specific cells showed significant hyperpolarization before each
spike burst (left). Song-specific cells that were
tonically excited also showed spike bursting (e.g., Fig. 1), but there
was no significant change in the prepotential as a function of the
number of spikes in a burst (middle). Nonauditory cells
that generated spontaneous spike bursts, which were similar in
appearance to those of the phasic cells, also showed significant
previous hyperpolarization compared with the prepotential for a single
spike (right).
[View Larger Version of this Image (19K GIF file)]
Examples of the trend suggested by this analysis can be seen using data
taken from one of the phasically excited song-specific cells (the one
shown in Fig. 6). The waveform patterns following the 10 most negative
prepotentials of the data collected in response to the forward song are
shown in Figure 9a. Nearly every trace is
followed by a burst. The most positive prepotentials, however, are all
followed by single action potentials (Fig. 9b). The other
two phasically excited song-specific cells showed similar patterns.
Fig. 9.
Examples of action potentials after low and high
prepotentials. The action potentials in response to auditory stimuli
(during stimulus and background periods) were sorted according to the
average potential 50 msec before each single spike or the first spike
in each burst. Spikes with the lowest prepotential usually were
followed by a burst of action potentials (a); spikes
with the highest prepotential were not (b).
[View Larger Version of this Image (20K GIF file)]
Conversely, one can examine the membrane potential before a burst
containing a certain number of spikes. Figure
10a shows four waveforms aligned on the
first action potential of bursts containing six spikes. These are
preceded by a consistent hyperpolarization, whereas the bursts
containing only three spikes are not (Fig. 10b). These
spikes are taken from the same data set used in Figure 9. The patterns
seen in the membrane potential before bursting was similar in all three
phasically excited song-specific cells.
Fig. 10.
Examples of membrane potentials before different
action potential bursts. The data shown here were extracted from the
same stimulus and background periods that were used in the previous
figure. In this analysis, a group of spikes was classified as a burst
if the first two spikes were <8 msec apart. Each burst was sorted
according to the number of spikes in the 30 msec window after the first
spike. Bursts with a greater number of spikes (a) tended
to be preceded by a lower prepotential than bursts with fewer spikes
(b).
[View Larger Version of this Image (16K GIF file)]
Morphological description and projections of HVc cells
Three cells were successfully filled with biocytin, stained with
avidin-HRP, and also had clear axonal projections that could be traced
to their targets (Fig. 11). One of these cells (Fig.
11a) was song-specific (data shown in Fig. 2) and sensitive
to temporal combinations of song syllables (see Lewicki and Konishi,
1995 ). The cell had a soma diameter of ~15 µm, thin, spinous
dendrites, and a dendritic arborization of ~125 µm. It had a clear
axonal projection to area X.
Fig. 11.
Photomicrographs of avidin-horseradish
peroxidase-stained neurons. a, A song-specific HVc cell
(data shown in Fig. 2); the axon of this cell could be traced to area
X. b, c, Two nonauditory HVc cells; both
cells had clear projections to RA. All scale bars, 20 µm.
[View Larger Version of this Image (62K GIF file)]
The cells shown in Figure 11 b and c had clear
projections to the robust nucleus of the archistriatum (RA). Neither
cell had an auditory response. Both cells had similar morphology and in
each, the somatic diameter was ~15 µm, and the diameter of their
dendritic arborization was ~100 µm.
DISCUSSION
Hyperpolarization during song
Perhaps the most surprising result here is that some song-specific
cells are hyperpolarized during forward song, to which they also have
the greatest response. This hyperpolarization was accompanied by phasic
bursts of action potentials in all three cases observed. The reason for
the hyperpolarization is unclear, but one possibility is to increase
the reliability of spike timing. Mainen and Sejnowski (1995) have
reported that neurons spike more reliably when starting from a
hyperpolarized state than from rest. There can be high regularity in
the temporal alignment of phasic bursts and even in the subthreshold
membrane response. Precise timing is likely to be an important aspect
of both the auditory and motor code of the song system.
Hyperpolarization may subserve the creation and/or preservation of this
neural code.
Another possible function of the hyperpolarization could be to ensure
that the neuron does not spike at inappropriate times and only spikes
when there is a large depolarizing input. In this sense, a cell that is
hyperpolarized would increase its signal-to-noise ratio during the
song. This hypothesis predicts that depolarization of the membrane
potential of a phasic song-specific cell in response to the song should
decrease the reliability of spike timing.
The cells that were hyperpolarized to forward song all showed less
hyperpolarization to syllable-reversed song and little or none to
reversed song. This observation underscores the unique nature of
song-specific neurons and their sensitivity to the temporal structure
of the autogenous song. It also suggests a mechanism by which these
cells can integrate long periods of auditory context. Because time
constant of the hyperpolarization is several hundred of milliseconds,
acoustic cues that could induce it could have a long-lasting effect on
the state of the cell. These data suggest that hyperpolarization may be
one of the mechanisms underlying syllable order sensitivity.
The data presented here that the response to forward song sometimes was
followed by a long-lasting hyperpolarization that could outlast the
stimulus by several hundred milliseconds. Long-lasting hyperpolarizing
currents also have been observed in HVc brain slices in response to
high-frequency firing (Kubota and Saito, 1991 ). And similar
long-lasting inhibition also has been seen in extracellular studies,
even when the response occurs largely at the beginning of the song
(Sutter and Margoliash, 1994 ). Data from the slice experiments of
Kubota and Saito (1991) suggest that this hyperpolarization after song
is a long-lasting outward current elicited by rapid firing of action
potentials. The hyperpolarization seen in Figure 4, however, is
present, even though there are about the same number of previous spikes
as the reversed song to which there is no hyperpolarization. One
explanation for these observations is that the hyperpolarization has
several components and some may be synaptically driven, possibly by
persistent inhibition mediated by GABAergic channels. Another
possibility is that part of the hyperpolarization results from the
activation of metabotropic glutamate or serotonin receptors (Schmidt
and Perkel, 1995 ). Manipulation of the membrane potential with current
injection during presentation of the song may provide data to
distinguish among these hypotheses.
Bursting
The significance of the bursting accompanied by the
hyperpolarization is unclear. One possibility is that these bursting
neurons are similar to the mammalian thalamocortical relay neurons
(Jahnsen and Llinas, 1984 ; Steriade and Deschenes, 1984 ), which also
have two modes of firing, but other intracellular studies suggest HVc
neurons are different, because bursting is of the high-threshold type
and cannot be elicited by previous hyperpolarization (Kubota and Saito,
1991 ; Lewicki and Konishi, 1995 ). Another possible role for bursting
neurons is that the bursts of action potentials may help ensure precise
firing of efferent cells. Precisely timed spiking is a sensible code
for the motor program underlying song production, because muscle
movements required to produce song also must be precisely timed. Birds
require auditory feedback to learn to produce normal song (Konishi,
1965 ), thus, it is plausible that the feedback also must be precisely
timed.
Because song-specific cells in HVc arise during vocal learning (Volman,
1993 ), it is possible that these cells play a role in song learning.
High-frequency bursts are capable of eliciting long-lasting changes in
synaptic strength (Larson et al., 1986 ). This plasticity depends on the
activation of NMDA receptors (Kirkwood et al., 1993 ; Malenka, 1994 ),
which have been shown to be present in HVc (Vu and Lewicki, 1994 ) and
in RA (Mooney and Konishi, 1991 ; Mooney, 1992 ). The generation of
action potential bursts may induce activity-dependent changes in
synaptic strength within HVc or in the efferent nuclei RA and area
X.
HVc cell anatomy
The results from the intracellular staining are consistent with
Katz and Gurney (1981) who reported that HVc auditory neurons project
to area X and nonauditory neurons project to RA. With such small
numbers, they do not rule out the possibility that some auditory
neurons project to RA, which would be expected from physiological
evidence that RA contains auditory neurons via inputs from HVc (Doupe
and Konishi, 1991 ; Vicario and Yohay, 1993 ).
The evidence that song-specific cells can project to area X
further supports the hypothesis that these cells are involved in
learning. Area X is part of a series of song nuclei in the anterior
forebrain that forms an additional pathway connecting HVc and RA.
Lesions of area X do not affect song production in adults (Nottebohm et
al., 1976 ), but lesions of the same area in young birds during the
sensorimotor period (when the bird is learning to produce
vocalizations) do prevent the development of normal song production
(Bottjer et al., 1984 ; Scharff and Nottebohm, 1991 ). Song-specific
cells are present in area X in adults and, like those in HVc, emerge
during vocal learning (Doupe and Konishi, 1992 ). These neurons are well
situated to provide an auditory feedback signal to RA, and the
song-specific cells in HVc could represent the first stage in the
formation of this complicated circuitry.
In many songbird species, including zebra finches, females sing little
or not at all. Thus, it is interesting that the morphology of the
song-specific cell in Figure 11a is most like the thick
dendrite class (based on Golgi staining), which is sexually dimorphic
in canaries (Nixdorf et al., 1989 ).
Song specificity
A basic property of song-specific cells is a greater response to
forward song compared with other songs. This would arise if the
song-specific cells were integrating the output of neurons that already
show some preference for forward song. Such neurons are known to be
present in field L (Margoliash, 1986 ; Lewicki and Arthur, 1995 ), a
group of auditory forebrain areas afferent to HVc. Part of the
selectivity of these neurons can be accounted for by their sensitivity
to the frequency modulation (FM) direction (Bonke et al., 1979 ;
Leppelsack, 1983 ; Müller and Leppelsack, 1985 ; Hose et al., 1987 ;
Knipschild et al., 1992 ). Downward FM is a prominent feature in the
syllables of zebra finch song. Because reversing the song changes
downward FM to upward FM, HVc cells could achieve some specificity for
song by integrating the output of field L neurons that are sensitive to
downward FM. This hypothesis is consistent with the intracellular
observations of song-specific cells that were neither excited nor
inhibited by reverse song. This may represent a first step in the
generation of the more complex response properties.
Song-specific neurons also are sensitive to the temporal order of the
syllables in autogenous song, which cannot be explained by sensitivity
to spectral cues or FM. Furthermore, song-specific cells can integrate
temporal information over periods lasting several hundred milliseconds
(Margoliash, 1983 ; Margoliash and Fortune, 1992 ). Extracellular studies
indicate that these properties do not exist in field L and that
auditory selectivity undergoes additional refinement in HVc (Lewicki
and Arthur, 1995 ).
The intracellular data presented here suggest many new mechanisms that
could subserve this refinement. The long-lasting hyperpolarization
during forward song provides a mechanism for preserving auditory
context. Hyperpolarization also may be a prerequisite for burst firing,
which could serve as a code for temporal events. Burst firing has been
shown to be important in cells that are sensitive to combination of
syllables in the correct temporal order (Lewicki and Konishi, 1995 ).
The extensive intrinsic projections of HVc cells (Katz and Gurney,
1981 ; Fortune and Margoliash, 1995 ) allow for many possible neural
circuits and a wide range of response properties.
These data are not sufficient in number to determine whether phasic and
tonic responses represent distinct classes of song-specific cells.
Extracellular studies may provide more plentiful data to address this
question, but the results here suggest that data from extracellular
studies of song-specific cells must be interpreted with caution. The
intracellular data show that for some of the song-specific cells, the
action potential shape during a burst can change dramatically,
sometimes showing attenuation of the height as much as 50%. This
property makes bursting neurons difficult to study with conventional
extracellular methods, because it is difficult to achieve single unit
isolation. Thus, extracellular studies may be biased against these
types of cells.
Concluding remarks
Song-specific neurons have some of the most complex auditory
tuning properties yet discovered. The intracellular recordings of
song-specific cells presented here have provided new insights into
mechanisms underlying this selectivity. These mechanisms also may
subserve complex auditory neurons observed in other systems, such as
the cat (Weinberger and McKenna, 1988 ; McKenna et al., 1989 ), squirrel
monkey (Wollberg and Newman, 1972 ; Newman and Wollberg, 1973 ; Glass and
Wollberg, 1983 ), and rhesus monkey (Rauschecker et al., 1995 ). The
temporal pattern of the response of song-specific cells can be highly
regular, even at the level of the subthreshold membrane potential. It
remains to be seen whether the presence of such precise timing reflects
that of afferent cells or whether it is refined by the circuitry in
HVc. Precise timing is correlated with phasic bursting, and it is thus
possible that phasic bursting and its associated hyperpolarization
subserve a neural code utilizing spike timing. Such a code has obvious
utility in the context of song learning and production.
FOOTNOTES
Received March 26, 1996; revised June 14, 1996; accepted June 25, 1996.
This work was supported by a National Institutes of Health Research
Training grant and a Caltech Engineering Research Center fellowship. I
thank Allison Doupe, Rich Jeo, Mark Konishi, Jamie Mazer, and Marc
Schmidt for valuable comments on this manuscript.
Correspondence should be addressed to Dr. Michael Lewicki at his
present address: The Salk Institute, Computational Neurobiology Lab,
10010 North Torrey Pines Road, La Jolla, CA
92037.
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