Rank | F0 ratio | Name | Abbreviation | Consonance |
---|---|---|---|---|
1 | 1.498307 | Perfect 5th | P5 | Perfectly consonant |
2 | 1.33484 | Perfect 4th | P4 | |
3 | 1.681793 | Major 6th | M6 | Imperfectly consonant |
4 | 1.259921 | Major 3rd | M3 | |
5 | 1.587401 | Minor 6th | m6 | |
6 | 1.189207 | Minor 3rd | m3 | |
7 | 1.781797 | Minor 7th | m7 | Dissonant |
8 | 1.414214 | Tritone | Tri | |
9 | 1.887749 | Major 7th | M7 | |
10 | 1.122462 | Major 2nd | M2 | |
11 | 1.059463 | Minor 2nd | m2 |
Combining a low note with each of the 11 notes above it creates a different dyad, named after the ratio (“interval”) of the two notes. Intervals can be categorized as “perfectly consonant,” “imperfectly consonant,” and “dissonant.” The hierarchical ranking of intervals contributes to a sense of musical “key.” Intervals are ranked here by consonance in accordance with Western music theory, and with the pleasantness ratings of the younger group.