Table 1.

Dyads created by combining a low note with each of the 11 notes above it

RankF0 ratioNameAbbreviationConsonance
11.498307Perfect 5thP5Perfectly consonant
21.33484Perfect 4thP4
31.681793Major 6thM6Imperfectly consonant
41.259921Major 3rdM3
51.587401Minor 6thm6
61.189207Minor 3rdm3
71.781797Minor 7thm7Dissonant
81.414214TritoneTri
91.887749Major 7thM7
101.122462Major 2ndM2
111.059463Minor 2ndm2
  • Combining a low note with each of the 11 notes above it creates a different dyad, named after the ratio (“interval”) of the two notes. Intervals can be categorized as “perfectly consonant,” “imperfectly consonant,” and “dissonant.” The hierarchical ranking of intervals contributes to a sense of musical “key.” Intervals are ranked here by consonance in accordance with Western music theory, and with the pleasantness ratings of the younger group.