Lexical tone discrimination studies | | | | |
Gandour et al. (2000) | | | | |
Thai tone—rest (English listeners) | L anterior | −28 | 21 | 2 |
Pitch—rest (Chinese listeners) | R anterior | 30 | 12 | 4 |
Gandour et al. (1998) | None | | | |
Hsieh et al. (2001) | | | | |
Mandarin tone—pitch (English listeners) | L posterior | −39 | −17 | −4 |
Klein et al. (2001) | | | | |
Mandarin tone—rest (English listeners) | L anterior | −36 | 18 | 3 |
Other related studies | | | | |
Jacquemot et al. (2003) | | | | |
Phonological change versus no change (pseudowords) | L | −40 | −8 | 12 |
| R anterior | 40 | 16 | 8 |
Nonphonological change versus no change (pseudowords) | L anterior | −28 | 20 | 4 |
| R anterior | 24 | 24 | 4 |
Brown et al. (2004) | | | | |
Monopitch singing | L | −38 | −2 | −4 |
Melody singing | L anterior | −42 | 12 | 2 |
Harmony singing | L anterior | −42 | 20 | 0 |
Perry et al. (1999) | | | | |
Singing—passive pitch perception | L | −42 | −1 | 8 |
| R posterior | 39 | −6 | −6 |
Overt speech | L anterior | −35 | 18 | −4 |
Overt nonlyrical singing | R anterior | 32 | 16 | −6 |
Rumsey et al. (1997) | | | | |
Phonological decision making | L anterior | −32 | 16 | 4 |
Zatorre et al. (1994) | | | | |
First/last note judgment—passive melodies | L anterior/45 | −31 | 22 | 8 |
| R anterior/45 | 38 | 20 | 5 |