Discounting the background—the missing link in the explanation of chromatic induction
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Cited by (138)
Effects of background and contour luminance on the hue and brightness of the Watercolor effect
2018, Vision ResearchCitation Excerpt :Indeed, the WCE has generally been demonstrated for a background of higher luminance than both inner and outer contours. Although the surround (e.g., the background) is known to be an important influence of color appearance (Brenner & Cornelissen, 2002; Brown & MacLeod, 1997; Shevell, 1978; Walraven, 1976), it has not been systematically explored for the coloration effect in the WCE. In addition, most studies of the WCE focus solely on its coloration effect.
The dynamic range of human lightness perception
2011, Current BiologyCitation Excerpt :Our data clearly require additional adaptation parameters: if the only effect of context were to change a multiplicative gain, then the luminance-to-lightness matching functions would all have the same shape on the log-log plots and would differ only in their horizontal positions. The need for an additional adaptation parameter has been noted previously by numerous authors using a variety of experimental stimuli, methods, and terminologies [7, 24–36]. Our second adaptation parameter, the subtractive offset c, is an instantiation of this second parameter.
A simple model describes large individual differences in simultaneous colour contrast
2009, Vision ResearchCitation Excerpt :If the hypothesis is true, it would mean that traditional notions of simultaneous colour contrast as a unidirectional transform instead of as a non-linear expansion are fundamentally misleading. In this connection, it should be noted that it is quite easy to confuse an expansion with a unidirectional transform such as background discounting (Chichilnisky & Wandell, 1995; Jameson & Hurvich, 1961; Mausfeld & Niederée, 1993; Shevell, 1978, 1980; Walraven, 1976) if one investigates only a limited range of target colours which do not span the centre of expansion. Experiments with unique hue and grey settings would be a case in point.
The Role of Layered Scene Representations in Color Appearance
2009, Current BiologyCitation Excerpt :A fundamental goal of color science is to understand how the visual system exploits contextual relationships between a target and its visual “environment” to recover the causes of the chromatic variation in a scene. One of the most studied forms of contextual effects in color vision involves the perceived shift in a target's color when placed in different scenes [11, 12]. Such phenomena are typically referred to as “color induction” because the perceived color of a target is affected by its context.
Chromatic induction from surrounding stimuli under perceptual suppression
2014, Visual Neuroscience