The dual role of chromatic backgrounds in color perception
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Zur Lehre vom Lichtsinne
Cited by (123)
Effects of background and contour luminance on the hue and brightness of the Watercolor effect
2018, Vision ResearchCitation Excerpt :Indeed, the WCE has generally been demonstrated for a background of higher luminance than both inner and outer contours. Although the surround (e.g., the background) is known to be an important influence of color appearance (Brenner & Cornelissen, 2002; Brown & MacLeod, 1997; Shevell, 1978; Walraven, 1976), it has not been systematically explored for the coloration effect in the WCE. In addition, most studies of the WCE focus solely on its coloration effect.
Spatial and temporal aspects of chromatic adaptation and their functional significance for colour constancy
2014, Vision ResearchCitation Excerpt :As such, chromatic adaptation is an important sensory process for obtaining colour constancy. Psychophysically identified mechanisms of chromatic adaptation comprise multiplicative gain control (von Kries type mechanisms), and repetitive steps of subtractive spatial and temporal filtering with local but also spatially extensive components (either via spatial or temporal mechanisms; two-process model; Geisler, 1983; Hayhoe, Benimoff, & Hood, 1987; Hayhoe & Wenderoth, 1991; Jameson & Hurvich, 1972; Shevell, 1978; Walraven, 1976; Whittle & Challands, 1969). Correlated physiological processes include light adaptation and contrast gain control and adaptation, which take place, repetitively, at several stages of the visual pathways and at different spatial and temporal scales (reviewed in Carandini & Heeger, 2013; Heeger, 1992; Kohn, 2007).
The dynamic range of human lightness perception
2011, Current BiologyCitation Excerpt :Our data clearly require additional adaptation parameters: if the only effect of context were to change a multiplicative gain, then the luminance-to-lightness matching functions would all have the same shape on the log-log plots and would differ only in their horizontal positions. The need for an additional adaptation parameter has been noted previously by numerous authors using a variety of experimental stimuli, methods, and terminologies [7, 24–36]. Our second adaptation parameter, the subtractive offset c, is an instantiation of this second parameter.
Very-long-term and short-term chromatic adaptation: Are their influences cumulative?
2011, Vision ResearchCitation Excerpt :The adapting effect decays within seconds or minutes (Jameson, Hurvich, & Varner, 1979; Rinner & Gegenfurtner, 2000). Many studies support a two-process model of short-term chromatic adaptation (Cicerone, Krantz, & Larmier, 1975; Drum, 1981; Guth, Massof, & Benzschawel, 1980; Hayhoe & Wenderoth, 1991; Jameson & Hurvich, 1972; Larimer, 1981; Shevell, 1978; Ware & Cowan, 1982). Very-long-term (VLT) chromatic adaptation has been little studied until recently.
A simple model describes large individual differences in simultaneous colour contrast
2009, Vision ResearchCitation Excerpt :If the hypothesis is true, it would mean that traditional notions of simultaneous colour contrast as a unidirectional transform instead of as a non-linear expansion are fundamentally misleading. In this connection, it should be noted that it is quite easy to confuse an expansion with a unidirectional transform such as background discounting (Chichilnisky & Wandell, 1995; Jameson & Hurvich, 1961; Mausfeld & Niederée, 1993; Shevell, 1978, 1980; Walraven, 1976) if one investigates only a limited range of target colours which do not span the centre of expansion. Experiments with unique hue and grey settings would be a case in point.
The Role of Layered Scene Representations in Color Appearance
2009, Current BiologyCitation Excerpt :For each surround color, we pooled the data for all subjects and depth conditions, because they exhibited no systematic differences. In keeping with previous findings on color induction [11, 12], the hue settings for the induced target colors are complementary to the corresponding mean surround hue. The high saturation values of the observers' settings confirmed the subjective impression of a strong color induction effect, which is visible as large distances of the average settings to the achromatic point in color space.
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Present address: Department of Behavioral Sciences, University of Chicago, 5848 S. University Ave., Chicago, Illinois 60637, U.S.A.