A series of experiments examined auditory contour formation, investigating listeners' sensitivities to a family of random fractals known as fractional Brownian noises. Experiments 1A and 1B looked at identification of contours when 3 different noises were portrayed using variations in the pitch, duration, or loudness of successive notes of a sequence. Listeners could categorize pitch and loudness encodings, but not duration mappings. Experiment 2 looked at the effect of simultaneous presentation of pitch and loudness information, finding that these dimensions combined additively to increase identification of the noise distributions. Experiment 3 looked at discrimination of pitch contours as a function of changing fractal dimension. Discrimination curves approximated an inverted U shape, a finding that is not understandable in terms of sensitivity to differences in fractal dimension per se, nor in terms of "tuned" perceptual sensitivity to statistical regularities of the environment.